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The first two films in the series were so-called V-Cinema , or direct-to-video releases, but became surprise hits as the result of favorable word of mouth.
The titular curse , ju-on , is one which takes on a life of its own and seeks new victims. Anyone who encounters a ghost killed by the curse is killed themselves and the curse is able to be spread to other areas.
Under very tight budgetary constraints, Shimizu's films garnered much acclaim from both critics and genre fans for their effective use of limited locations and eerie atmosphere to generate chills.
Shimizu was at the same time perfectly willing to show his ghosts onscreen, in contrast to some directors who might choose only to hint at their appearance.
But critics noted that Shimizu's minimalist approach to directing and storytelling—a necessary by-product of the production's limited overall resources—allows the films to retain their ability to unnerve viewers.
Very few scenes in the movies are graphically bloody, making such scenes more disturbing when they occur. Following the success of the two direct-to-video films, and the international success of Hideo Nakata 's Ring , Kurosawa and Ring screenwriter Hiroshi Takahashi helped Shimizu develop a theatrical Ju-On sequel starring Megumi Okina and Takako Fuji.
The first theatrical feature film, Ju-On: The Grudge , was released in to critical acclaim and the US remake rights were purchased, with Shimizu himself attached to direct and Sarah Michelle Gellar starring.
Due to the major success of the remake, an American sequel was released. The film was not a remake and followed a unique storyline, albeit still drawing inspiration from several Japanese films.
The same year, the tenth anniversary of the series, two new sequels, Ju-On: White Ghost and Ju-On: Black Ghost premiered in simultaneous screenings in Japanese theaters.
The films' storyline deviated from the cursed Saeki family, which all previous films had followed, instead focusing on two unrelated but also ill-fated families.
The film is a reboot of the series that features a new backstory regarding the curse while still featuring the Saeki family as an integral part of the plot.
The film was followed by a sequel, Ju-On: The Final Curse , which served as the supposed final film in the series.
Both films had no significant input from series creator Shimizu. In , a crossover film, Sadako vs. Kayako was released.
On March 20, , it was announced that an American reboot was in the works, written by Jeff Buhler and produced by Sam Raimi, as with all previous American installments.
The film was released in January and is the only release in the franchise, along with The Grudge 3 , to have a primarily American setting.
The story of these shorts was later further explored in two low-budget, V-Cinema, Japanese television movies in , both shot in the course of nine days.
Three years later, due to the success of the videos, director Takashi Shimizu made a theatrical sequel to the V-Cinema videos, titled Ju-On: The Grudge.
It is primarily based on the first theatrical version of Ju-On , but it contains scenes re-enacted from all of the Ju-On movies.
It is worth noting that this film and its sequel are not remakes of the V-Cinema films, as is commonly believed but are, in fact, sequels.
Though there is no evidence, these two movies are believed to be in continuity with the original films. In March , it was officially announced that Ghost House Pictures and Good Universe would be rebooting the franchise and that Jeff Buhler would be writing the film.
It was also announced that the film would begin production in May and that Sony Pictures had acquired worldwide distribution rights.
In September , The Grudge director Nicolas Pesce expressed interest in a crossover film between The Grudge and the American The Ring film series , which was done for the first time in with Sadako vs.
In May , a TV series adaptation was announced and will be released exclusively on Netflix worldwide on July 3. Every single Ju-On film has received a novel adaptation, except for The Grudge 3.
In , novelizations of stories from the series were written by Kei Ohishi. Official Japanese-language novelizations of the American films were also written by Kei Ohishi,  the first being a novelization of The Grudge released in Japan as The Juon , which was published in and generally follows the premise of the film faithfully.
The novels were all published by Kadokawa Shoten and only the first novel received an English translation. The manga follows events from the series that were omitted in the novels.
Upon release, the game was critically panned. The video game was confirmed on May 22, Shortly afterwards, a demo of the game was unveiled at E3 , where Xseed Games described it as a "haunted house simulator ," rather than a traditional survival horror game.
The game does not feature any combat, as its format relies on subtle exploration and scare tactics. Joystiq reviewers who were present for the demo's screening at the E3 justified this, observing that, "In most horror games, a skilled player can actually defeat the creatures with notable exceptions like Silent Hill 2 ' s Pyramid Head From Wikipedia, the free encyclopedia.
Ju-On Franchise logo. Kayako The Grudge Katasumi and Tales from the Grudge Main article: Ju-On: The Grudge video game.
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